Showing posts with label producer. Show all posts
Showing posts with label producer. Show all posts

Tuesday, October 26, 2010

[NEWS] Sungkyunkwan Producers Would Also Like an Extension

With its adorable and heartwarming storylines, not to mention engaging cast, Sungkyunkwan Scandal has attracted a mighty fanbase that belies its modest ratings numbers (although those have been steadily climbing as well). As a result, it has been flooded with fan requests for extensions, and even despite it being late in the game (with only this week and next week remaining), producers have also spoken up to say that they’d be eager for one as well.

First off, the caveat: Don’t get your hopes up. We can hope, but I don’t think an extension is forthcoming with the obstacles it would have to overcome in a very short period of time.

With that said…

To compare the fan fervor of Sungkyunkwan Scandal to other popular dramas, the source article compares the online activity from the first 16 episodes (which is what Sungkyunkwan had aired as of the article’s publish date) of various dramas. Sungkyunkwan’s official homepage message board has more than 120,000 messages posted by fans, which is triple the response of Chuno, four times as many as Baker King Kim Tak-gu, and twice as many as IRIS.

Additionally, the drama’s board at popular portal DC Inside has 160,000 messages. It is DC Inside’s second-most-active drama board, next to uber-hit Boys Before Flowers.

It’s interesting to note that those other dramas all hit 30% ratings (with Baker King topping 40%), while Sungkyunkwan started off at a modest 6.3% and has steadily risen to its highest number last Tuesday, 14.3%. (It was aided by the departure of long-running Dong Yi.)

The fans who are eager for more of their drama crack point out that the love story between Yoon-hee (Park Min-young) and Sun-joon (Micky Yoochun), with only three episodes left after today’s broadcast.

The CEO of production house Lemon Rain, Kim Dong-rae, said, “It’s a story that can easily be extended, by ten episodes or any number. Even in this situation, we could add another four. We’d like to do it, if only the actors would agree, but it’s difficult because if the production period goes on for longer than planned, it interferes with their schedules.” He added that it’s disappointing to end it this way.

What would he like to do in the hypothetical situation of an extension?

Kim said, “We would be able to get deeper into the emotions of Moon Jae-shin (Yoo Ah-in), and expand on Lee Sun-joon and Kim Yoon-hee’s story. Aside from the love story, there’s a lot of plot about the academic angle. There’s so many good stories to tell that I’m sure we could really make a great drama, but realistic conditions aren’t supportive.”

The difference between extending a drama like Dong Yi and Sungkyunkwan Scandal is because the former is longer-running, has sufficient time to establish its presence, and consequently draws in enough advertising money that the stations are eager to capitalize upon. Miniseries, however (20 episodes or less), often find themselves hurting financially with extensions, and production companies are less likely to move forward with them. (Plus, despite the show’s online popularity, mid-teen ratings are usually not considered high enough to be worth the broadcaster’s while.)

This is why it’s unusual for Sungkyunkwan’s producers to be so willing to take that financial risk, and to declare themselves ready to forge forward with full confidence.

The sticking point remains the cast, and in particular lead actor Micky Yoochun, who is about to embark on an Asian tour with his pop group JYJ. Initially the drama was scheduled to conclude filming at the end of September, but that has already been pushed back once and conflicted with his schedule.

A few more statistics that attest to the drama’s popularity (as if we didn’t already know): The OST has sold over 120,000 albums, and the episodes have been seen online from KBS’s homepage 190,000 times (compared with Chuno’s 150,000 and Baker King’s 130,000).


credit: Yonhap News + Dramabeans
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Monday, June 14, 2010

[NEWS] 100611 Interview with Record Producer Yoo Young-jin



(omitted)

10: You have written lyrics that criticize society. And some people are critical of you using such lyrics for commercial music sung by idol groups.

Yoo Young-jin: There are many love songs that contain trendy words. So from the start, I was thinking that I want to try something a bit different. When TVXQ or H.O.T. sing such songs, people would enjoy their singing and dancing in the beginning but start hearing what they're actually saying after a few times, and I thought some may even become interested in what message the lyrics are delivering. I tried "O-正.反.合." because Mr. Lee Soo-man was telling me that he really hopes I use it one day when talking about changes in society. I thought that I could be able to provide somewhat of a different angle if someone looking at their performance starts taking interest in social issues he or she had not been interested in and decides to look it up on the Internet. I wasn't aiming at changing society through the songs -- I just wanted to say something through the lyrics. And I am aware of the likes and dislikes when it comes to such lyrics.

(omitted)

10: But I think you should control that level of shock since you make music to be sung by idol groups. What do you take into consideration when you give them songs?

Yoo: It depends on the team. With Super Junior, I think they're a team which is better to go for their mass appeal by mixing in a bit of wit into their performances. I wanted create a song which is both equally fun and easy to listen to which is when I came up with "Sorry Sorry." f(x) is just a year into their debut but the first time I heard "Nu ABO," I thought it was very shocking and advanced. So while commercial success is important, I thought people would be shocked if we took on a new and erratic attempt. The company thought the same way about it too.

10: What about the five-member boy bands like H.O.T., TVXQ and SHINee?

Yoo: H.O.T. was a very young group back then so I wanted to write about their normal lives. They had little experience in life but were full of energy, and while there was so much they want to do, there actually wasn't much they really could do so they would be dissatisfied. So I wanted to express them in the state of having an aggressive attitude. And I thought that at one point, I wanted H.O.T. to seem colossal. They were the first idol group to hold a concert at the Jamsil Main Statium and I wanted them to look big for when they do something like that. For their song "I Yah!" I thought of a man in a black trenchcoat, like in "The Matrix," walking alone in the desert and I wrote it thinking that they would get to show it on a big stage.

10: I think HOT and TVXQ must be similar when it comes to the fact that they both stood on big stages and gave strong performances.

Yoo: TVXQ is really good when it comes to singing and dancing so I wanted to have them try a variety of things. I felt that they would be able to pull off big performances in particular, like H.O.T. did. And "Rising Sun" was where that all came together -- it's a song through which my hopes came true. It was the first time during my ten years of composing dance numbers that everything, from the choreography to the vocals to the dancing skills, interlocked perfectly. After that, I gave them "Tonight," wondering whether they would be able to pull that off too because it has to be sung on a very wide range of notes. But they were really good at that too. (laugh) I got excited so I came up with some ad libs spontaneously which they also pulled off too. That's when I told myself that I can try whatever I want with this kids (laugh) so I started coming up with songs which would maximize the abilities each member has. With SHINee, I thought it would be better to add in some easy parts rather than make their songs too difficult or aggressive. I also did it because I studied writing melodies with limited chords while I was pursuing my solo career, and it turns out it fits better with recent trends.

(omitted)

10: What's your goal as a musician?

Yoo: Up till now, I've rejected requests for interviews or short filmings of me teaching TVXQ. And I plan on not doing any more after this one. I prefer to continue doing my work in my own corner. If a singer is the main character, I want the focus to be on them, not on me for being their producer. I want to be a helper to SM and all of its singers. A helper who always does everything that he's been given to do. I think I'd be very happy if I could sit down in a studio even when I'm eighty and still be creating rhythms.


Senior Reporter : Kang Myoung-Seok two@
Photographer : Lee Jin-hyuk eleven@
Editor : Jessica Kim jesskim@
<ⓒ10Asia All rights reserved>

For the full interview, click on the links below.

Source: 10asia.co.kr: Part 1, Part 2, Part 3
Shared by: OneTVXQ.com { One World. One Red Ocean. One TVXQ }
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Monday, May 17, 2010

[NEWS] 100514 “Avatar” producers to film BoA, TVXQ concerts in 3D


Korean idol group TVXQ performing at concert [SM Entertainment]

Director James Cameron and his team of producers behind Hollywood blockbuster pic “Avatar” have agreed to produce the music videos and concert videos for BoA, TVXQ and other artists under agency SM Entertainment (SM) in 3D format.

Cameron — currently in town for the annual Seoul Digital Forum — met with Korean conglomerate Samsung Electronics’ executives and SM founder Lee Soo-man at the “3D Content-Related Cooperation Plan” event, held today at Samsung offices in Seocho District, where they announced news of the collaboration.

According to the plan, “Avatar” producers will be filming SM artists’ music videos and concerts in 3D and electronics giant Samsung will use the 3D content in the company’s worldwide marketing plan for its 3D television products.

The filming for the 3D concert is expected to begin “around June” in Korea, presumably at live music concerts featuring BoA, TVXQ and Girls’ Generation.

Producer and entertainment mogul Lee Soo-man expressed his anticipation, saying “I am proud to be able to work with a global company like Samsung Electronics and the best team of producers in the world. I think we will come up with the best 3D content.”

Female pop singer BoA, who also attended the event with TVXQ members Max Changmin and U-Know Yunho, commented, “I am glad and excited to take part in such a fantastic event. I will try my best to become an artist who approaches fans with great content.”

The TVXQ singers said they will “work hardest to create a new kind of cultural content.”

SM Entertainment, considered one of the top talent agencies in Korea, just yesterday disclosed information on its earnings for the first quarter of the year, indicating its most successful first quarter to date.

The firm recorded operating profits of 10.4 billion won, or over nine million dollars, during the three month period, which is an increase by an astounding 471 percent from the same period last year.

BoA has been one of the most successful K-pop artists since first making her debut ten years ago and is one of the first Korean artists to make a major breakthrough into the Japanese music industry. She also made her U.S. debut in March 2009.

Five member boy-band TVXQ is also one of Asia’s top artists with reportedly the largest fanbase in the world but they have ceased working as an entirety since July last year after three of its members, namely Hero Jaejoong, Micky Yoochun and Xiah Junsu, became embroiled in a legal battle with SM.


Korean pop singer BoA [SM Entertainment]

Reporter : Lim Hye-seon lhsro@
Editor : Lynn Kim lynn2878@
<ⓒ10Asia All rights reserved>

source: asiae.co.kr
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